NEW WORLDS – Der Stern
- Crystals reveal the geometrical side to nature. In art, the theme of crystals combines the abstract and the figurative, because in crystals the abstract is at the same time nature. In the 1910s, crystalline shapes emerged as a symbol of a utopian departure into the domain of the transcendental. In Expressionism in particular, artists sought to enhance the simple life by artistic means – just as carbon turns into diamond crystals. The crystalline is to be found as a leitmotif in various artistic movements: By means of ›prismaism‹, Lyonel Feininger gives space crystalline form in his paintings; Max Ernst has the mineralogical shape radiate cosmologically in all directions; and in his monumental canvas ›The Star‹ Fritz Winter expands it into outer space.
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- Exh_Title_S: NEW WORLDS – Der Stern
- Exh_Id: 2,724
- Exh_Comment_S (Verantw): Sammlung Online
- Exh_SpareNField01_N (Verantw ID): 241
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Belling, Rudolf / Bildgießerei Hermann Noack
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Erotik, 1920
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Ernst, Max
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Paysage, 1957
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Ernst, Max
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Les dieux obscurs, 1957
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Feininger, Lyonel
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Leuchtbake I, around 1913
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Feininger, Lyonel
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Dorf Alt-Sallenthin, around 1912
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Klee, Paul
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Feuer bei Vollmond, 1933
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Kreyenkamp, August
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Makrostruktur, around 1935
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Kreyenkamp, August
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Makrostruktur, around 1935
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Kreyenkamp, August
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Makrostruktur, around 1935
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Winter, Fritz
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Der Stern, 1934
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