Museum Folkwang Collection Online
Le lion et le serpent
  • Eugène Delacroix
  • Le lion et le serpent, 1856

  • The Lion and the Snake
  • Oil on canvas
  • 51,2 x 61 cm
  • Acquired in 1971 with support of the State of North Rhine-Westphalia and the Eugen-und-Agnes-von-Waldthausen-Platzhoff-Museums-Stiftung
  • Inv. G 384
  • On view
  • CommentaryDelacroix depicted the theme ›lion and snake‹ a number of times at the beginning of the 1850s. The small format paintings are often works showing a conflict between the two animals. Delacroix varied the movements and pose of their bodies, thus finding for the various forms of aggression and violence a corresponding expression in the bodies of the animals and in the state of the struggle. The lion grips the snake with its two paws and presses it down with its entire weight. The effort required to overcome the reptile, in spite of its physical superiority, because the snake’s winding body is difficult to capture, is visible in the lion’s tension and its open mouth. Moreover, the lion is pressing with its hind legs in order to apply its entire strength. For this depiction, Delacroix was able to draw on numerous individual studies of live animals which he had sketched in the ›Jardin des Plantes‹ in Paris.
  • Provenanceum 1858: Slg. [Weyl] Weill, Paris | um 1864: M. de la Rosière, Paris | 1877: Slg. Albert Wolff, Brüssel | um 1885: Duc de Narbonne und Georges Petit | ca. 1902: Boussod und Valadon, Dieulafoy/Paris | 1928–ca. 1941: Rosenberg, Paris/New York | 1941/2–[...]: Adolf Wüster und Hans Wendland (Floirac, F) | nach 1942–ca. 1945: Sammlung Hermann Göring | um 1945: Frankreich, Restitution | vor/um 1947–[...]: Paul Rosenberg, New York | 1962: Galerie Daber, Paris | 1964: Galerie Knoedler & Cie, Paris | [...]–1971: Galerie Dr. Fritz und Dr. Peter Nathan, Zürich | seit 1971: Museum Folkwang, Essen

    Provenienz unbelastet
  • Obj_Id: 2,996
  • Obj_Internet_S: ja
  • Obj_Ownership_S (Verantw):Painting, Sculpture, Media Art
  • Obj_SpareNField01_N (Verantw):
  • Obj_Creditline_S: Gemäldesammlung
  • Obj_Title1_S: Le lion et le serpent
  • Obj_Title2_S: The Lion and the Snake
  • Obj_PartDescription_S (Titelerg):
  • Obj_SpareMField01_M (Alle Titel): Le lion et le serpent The Lion and the Snake
  • Obj_Dating_S: 1856
  • Jahr von: 1,856
  • Jahr bis: 1,856
  • Obj_IdentNr_S: G 384
  • Obj_IdentNrSort_S: G 0384
  • Obj_Classification_S (Objtyp): Painting
  • Obj_Crate_S: 51,2 x 61 cm
  • Obj_Material_S: Oil on canvas
  • Obj_Technique_S:
  • Obj_SpareSField01_S (Mat./Tech.): Oil on canvas
  • Obj_AccNote_S (Erwerb): Acquired in 1971 with support of the State of North Rhine-Westphalia and the Eugen-und-Agnes-von-Waldthausen-Platzhoff-Museums-Stiftung
  • Obj_PermanentLocation_S (Standort): On view
  • Obj_Condition1_S (Druckerei):
  • Obj_Condition2_S (Auflage):
  • Obj_Subtype_S (Genre):
  • Obj_Rights_S:
Commentary
Artists
Provenance

Delacroix depicted the theme ›lion and snake‹ a number of times at the beginning of the 1850s. The small format paintings are often works showing a conflict between the two animals. Delacroix varied the movements and pose of their bodies, thus finding for the various forms of aggression and violence a corresponding expression in the bodies of the animals and in the state of the struggle. The lion grips the snake with its two paws and presses it down with its entire weight. The effort required to overcome the reptile, in spite of its physical superiority, because the snake’s winding body is difficult to capture, is visible in the lion’s tension and its open mouth. Moreover, the lion is pressing with its hind legs in order to apply its entire strength. For this depiction, Delacroix was able to draw on numerous individual studies of live animals which he had sketched in the ›Jardin des Plantes‹ in Paris.