Museum Folkwang Collection Online
Le pont de Moret et les moulins, effet de neige
  • Alfred Sisley

  • Le pont de Moret et les moulins, effet de neige, 1890

  • The Moret Bridge and the Mills, Snow
  • Oil on canvas
  • 59 x 73 cm
  • Acquired in 1964 with the support of the State of North Rhine-Westphalia and the Folkwang-Museumsverein
  • Inv. G 338
  • CommentaryAfter training as a clerk in London between 1857 and 1861, Sisley joined the Paris studio of Charles Gleyre in 1862, where Claude Monet, Auguste Renoir and Jean-Frédéric Bazille also worked. The four painters left the school in 1863 to work en plein-air. From 1871, Sisley lived in seclusion in the countryside, in Voisins-Louveciennes, in Marly-le-Roi, in Sèvres and from about 1882 in Moret-sur-Loing. It was there, viewed from the Porte de Bourgogne – that he painted this view of the bridge in the snow.
  • Provenance1890–01.1899: Atelier des Künstlers, Paris | 01.1899–02.1919: Jeanne Dietsh-Sisley (1869–1919) und Fernand Dietsh (?–wohl 1919), London, erworben durch Erbgang | 02.1919–06.1919: Nachlass Jeanne Dietsh-Sisley und Fernand Dietsh, erworben durch Erbgang | 03.06.1919: Hôtel Drouot, Paris, in Kommission | 06.1919–1962: Bautista Saint-Jean (?–?), Buenos Aires | 1962–[...]: Adolphe Stein (1913–2002), Schweiz, wohl in Kommission | spätestens 05.1963–04.1964: Galerie Dr. Fritz Nathan und Dr. Peter Nathan, Dr. Fritz Nathan (1895–1972) und Dr. Peter Nathan (1925–2001), Zürich | seit 04.1964: Museum Folkwang, Essen

    Provenienz unbelastet

    Die Untersuchung erfolgte im Rahmen des vom Deutschen Zentrum Kulturgutverluste geförderten Projekts zur Bestandsprüfung (01.10.2019–30.09.2020).
  • Obj_Id: 3,207
  • Obj_Internet_S: ja
  • Obj_Ownership_S (Verantw):Painting, Sculpture, Media Art
  • Obj_SpareNField01_N (Verantw):
  • Obj_Creditline_S: Gemäldesammlung
  • Obj_Title1_S: Le pont de Moret et les moulins, effet de neige
  • Obj_Title2_S: The Moret Bridge and the Mills, Snow
  • Obj_PartDescription_S (Titelerg):
  • Obj_SpareMField01_M (Alle Titel): Le pont de Moret et les moulins, effet de neige The Moret Bridge and the Mills, Snow
  • Obj_Dating_S: 1890
  • Jahr von: 1,890
  • Jahr bis: 1,890
  • Obj_IdentNr_S: G 338
  • Obj_IdentNrSort_S: G 0338
  • Obj_Classification_S (Objtyp): Painting
  • Obj_Crate_S: 59 x 73 cm
  • Obj_Material_S: Oil on canvas
  • Obj_Technique_S:
  • Obj_SpareSField01_S (Mat./Tech.): Oil on canvas
  • Obj_AccNote_S (Erwerb): Acquired in 1964 with the support of the State of North Rhine-Westphalia and the Folkwang-Museumsverein
  • Obj_PermanentLocation_S (Standort):
  • Obj_Condition1_S (Druckerei):
  • Obj_Condition2_S (Auflage):
  • Obj_Subtype_S (Genre):
  • Obj_Rights_S:
Commentary
Artists
Provenance

After training as a clerk in London between 1857 and 1861, Sisley joined the Paris studio of Charles Gleyre in 1862, where Claude Monet, Auguste Renoir and Jean-Frédéric Bazille also worked. The four painters left the school in 1863 to work en plein-air. From 1871, Sisley lived in seclusion in the countryside, in Voisins-Louveciennes, in Marly-le-Roi, in Sèvres and from about 1882 in Moret-sur-Loing. It was there, viewed from the Porte de Bourgogne – that he painted this view of the bridge in the snow.